

Emile Jaques-Dalcroze
From Rhythm, Music, & Education
http://www.theatlantic.com/entertainment/archive/2012/04/did-humans-invent-music/255945/
I think this article is the best explanation for why I’ve been strongly considering going back to grad school (probably for ethnomusicology): These two excellent scholars are arguing a question that has been near and dear to me for almost as long as I’ve been interested in music: what is the origin/purpose of music in human society?
But I feel almost certain they are both wrong in this debate.
I think I’ve discovered the answer and I want/need to be able to prove it, but I’ll need to do a lot more research. This question and it’s answer could lead to profound new perspectives on teaching, performing, and creating music. It’s what my blog has been about from the very beginning. It started as a feeling, intuition, but has lead me on a quest for answers that has absorbed me and changed my view on music and humanity completely. I know I’m on to something, and I feel even more certain the more I hear great academics NOT seeing it the way I am.
“Discovery consists of seeing what everybody has seen, and thinking what nobody has thought.”
-Albert Szent-Gyorgyi
“There is no movement without rhythm”. This video perfectly sums up everything I’ve been talking about on my blog as it concerns African music, and to many demonstrates a wealth of ideas and possibilities for us non-African born musicians who are looking for to expand our musical horizons. Work, play, ritual and celebration, everything is music.
Imagination is like a faucet.
It gets more clogged the older we get.
So we must always find ways to unclog it…
Get In the Groove.
What’s In the Groove? It’s a new method, currently for guitar, but soon for all instruments and musicians, that teaches music as participation and interaction. It teaches you to groove, to improvise and to be a creative musician right from the beginning. It brings music to life and keeps it fun and inspiring.
What will In the Groove teach you?
The Groovolution has now begun.
Are you In the Groove?
We don’t play our instruments, we play through them.
The music comes from you. The instrument is simply a tool, an amplifier, it transmits your vibrations.
No matter how much you learn about and practice your instrument, you will never play truly expressive music unless you feel the music inside you first (move!).
This comes from feeling the pulse, the vibrations, deeply, fully, wholly.
Music theory (as well as genres) can over complicate that which is actually very simple. By categorizing, labeling, dissecting music, we may learn a lot, but we also tend to forget a lot.
Music is simply vibration/motion; our vibrations/motions, transmitted to others, who tune in and transmit back.
All genres and styles are the result of labeling and classifying the vibrations/motions/language of others and of their culture. But they are still only vibrations/motions/languages/expressions.
We all speak. We simply must learn to speak through music.
Music is the transmission of vibrations.
It is pure communication. The foundation of language.
We simply tune in to the vibrations of others, as we transmit our vibrations back out.
If we think of music like language and speech, we would see that improvisation and composition are the most natural ways of making music. When we learn to speak, we don’t first recite books our parents read to us. We don’t first learn to read and then speak. We form words and sentences and attempt to communicate, to transmit our thoughts, feelings, our vibrations. By the time we learn to read, or learn grammar, or learn to recite poetry, we’ve already learned to form thoughts in to strings of sounds and annunciations; into vibrations. If we treated learning music this way, we’d teach our children by surrounding them with music, engaging with them, playing and singing and dancing with them, and encouraging them to participate. They would learn to improvise, participate, interact, to find their place in the music and contribute their vibrations into the whole, before they would ever learn theory, or reading, or repertoire. Music would then be to them a way of life, before it would ever be thought of as an Art or Science.
This way of making music is actually the natural way music is taught, in places where music is (still) transmitted orally. All one would need to do is look to many African cultures (among others around the world), where even the most mundane day to day tasks are often turned into opportunities to engage in music making:
Here, listen to these Ghana Postal Workers: http://youtu.be/vf0I5s-Ghhk
I sometimes think we get too hung up on genres, and style, and repertoire, and theory and rules…
…and forget how natural, simple, and universal music truly is.
Everything is Vibration(music)
We are all vibrating(musicians)
All we must do is Tune In.
There are Three levels of vibration we feel (the actual number of levels is infinite):
At the first level, we feel vibration as rhythm. The fundamental vibration we feel as the pulse or beat (like heart/breath). And when we(musicians) vibrate(play) in tune we say we are in Time.
At the second level, we feel vibration as pitch. The fundamental vibration we feel as the tonic or root (like earth). And when we(musicians) vibrate(sing) in tune we say we are in harmony.
And at the third level, we feel vibration as timbre. The fundamental vibration we feel is the vibration of the whole (when we sing, our bodies!) and we hear it as the tone color (like light). And when our(musician) vibrations(voices) are in tune we say our voices blend.
When we vibrate(play) in time, and when we vibrate(sing) in harmony, and when our vibrations(voices) blend…
We are In Tune
So I’ve been working on something of a unifying theory (or perhaps a concept?) of music.
It is a theory of:
Pitch and Rhythm (Harmonies)
Sound and Motion (groove)
Music and Dance (life)
This is The Theory(concept)
A theory of music that explains all music. Music is the fundamental language. The universal language. It is innate. So why should it be so hard to learn? Why should be so hard to play, to create, and to participate? It shouldn’t be. It isn’t. And The Theory(concept) simply explains that. The only thing standing in a persons way of becoming a musician is the false belief that music is a gift or talent, or something difficult only a few can learn. We are all already musicians and artists from birth.
All music is simply sound and motion. Which is simply vibrations. Everything is vibration.
…You’re already making music…
…you must simply tune in.
The Groove revisited:
In a past post I defined Groove as repetition + space.
With some time and some thought I know think it more accurate to say…
The Groove = space in repetition
(and/or perhaps also = repetition in space?)
This definition sums things up pretty well in my opinion. In spending some time thinking about this (and by ‘thinking’ I also mean ‘playing’) it seems to me to have become very clear.
Try it…